I am a New York transplant by way of Las Vegas, Indiana, and San Francisco. Through my work, the viewer is permitted a brief trespass into the intangible and the ability to restore their hauntings, loss, anxiety, and anamnesis into a healing shape.
The Wilderness Project is a psychological and sometimes anthropological study of those themes that uses animal vocabulary to explore the dense and tangled wilderness of the city and its feral inhabitants. We Move Lightly further continues this thought by mining the elusiveness of memory and the deeper rooted vestiges of intimacy onto the landscape of the body.
My work has been featured as an Editor’s Pick in Musee Magazine, Landlock Photo’s ‘Creatures of Habit’, Wordsmiths, and The American Guide; published in The New York Times, TimeOut New York, Brooklyn Magazine, American Theater Magazine, and Dramatics Magazine. Recent design work includes: Phil Pickens’ albums Sweet Tea Circus and Cathedrals, Mackenzie Shivers' albums Terracotta Floors, Rejection Letter, The Unkindness and singles Midwinter and Forever, Sarah Elizabeth Haines' album Pretending to Sleep, The Hollows’ live album Neverending Show, and Cynthia Arrieu-King's poetry collection Manifest through Switchback Books and Unlikely Conditions through 1913 Press. I've exhibited at Other Voices Gallery in Las Vegas, PowerHouse Arena, Salt Space Gallery, Limner Gallery, Local Arts Project, Alterworks and Brooklyn Central in New York. My work is currently on permanent display at the Dream Hotel and Renaissance Hotel in Midtown Manhattan.
instagram: @britanniebond | @bbondphoto
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